Quan Yin

Definition

Quan yin is the English transliteration of the Chinese name for a Buddhist divine figure whose Sanskrit name is Avalokitesvara. The meaning of this name is usually given as "the lord who hears and sees all," or "the lord who is seen within [the believer's soul]." The Chinese name Quan yin is sometimes translated as "the one who hears prayers." Quan yin is also known in China as Guanshiyin; in Japan as Kannon, Kanzeon, or Kwannon; in southeastern Asia as Quon Am; in Bali as Kanin; and in Tibet as Chen-resigs or Spyan-ras-gzigs. Although some English-language sources refer to Quan yin as a "goddess" or "saint," these terms are somewhat misleading because of their association with Western religions. Peter Matthiessen's phrase, "mythical embodiment of Buddhahood," or bodhisattva, is a more accurate description. A bodhisattva is a spirit or person who has earned the right, through renunciation of passions and cravings, to escape from the cycle of reincarnation and enter nirvana, but chooses to postpone his/her own bliss until his/her has have helped others to achieve enlightenment.

Origins

Devotion to Quan yin as the bodhisattva of infinite mercy and compassion is widespread in the Buddhist world, and can be dated as far back as the first centuries of the Christian era. It is important to note, however, that the notion of deity in Buddhism is quite different from Jewish and Christian concepts of God as creator and ruler of the universe. In classical Buddhist teachings, there are three forms or bodies of Buddhahood: the body of essence (Buddha as disembodied and impersonal absolute truth or reality; nirvana); the body of bliss (Buddha as a formless spirit with the power to save humans); and the body of emanation or transformation (Buddha assuming a human form to guide people to enlightenment). Avalokitesvara (Quan yin) is regarded as the embodiment of Buddha who guards the world between the appearance of Sakyamuni, the historical Siddhartha Gautama (born in India about 500 B.C.), and Maitreya, the Buddha of the future.

Avalokitesvara was originally portrayed as a male among Indian Buddhists, because a female bodhisattva is impossible according to the oldest Buddhist texts. Devotion to Avalokitesvara in the form of Quan yin was introduced into China as early as the first century A.D., and into Japan in the sixth or seventh century. Prior to the twelfth century A.D., Quan yin was always portrayed as a male in Chinese and Japanese art. The reason for later artistic representations of her as a female is not completely under-stood. Some scholars attribute the change to the popularity of a passage in the Lotus Sutra that speaks of Avalokitesvara as having the power to grant children to childless women, and to assume a human body of either sex in order to guide others to nirvana. By the eighth century, the Lotus Sutra was honored in China and Japan above all other Buddhist sacred texts because it was understood to mean that women could also attain enlightenment.

Other scholars think that a Chinese legend about Quan yin may have also played a part in popular devotion to this bodhisattva as a woman. According to the legend, Quan yin was born into this world as the daughter of a king of the Chou Dynasty (1050–256 B.C.), who was sentenced to death by her father for refusing to marry. When the executioner tried to behead her, his sword shattered before he could touch her. The legend helps to explain why Quan yin has been regarded in some parts of Asia as a protector of women who offers life as a Buddhist nun as an alternative to marriage. In Japan, the princess ChujoHime (753–781 A.D.), who was persecuted by her stepmother and became a Buddhist nun at the age of seventeen, was thought to be a living incarnation of Kannon. A memorial service is held each year in Japan on May 14 for Chujo-Hime at the Tokushoji Temple.

In Japan, the Pure Land sect of Buddhism honored Kannon or Kanzeon as one of the principal attendants of Amida, the Buddha of the Western Paradise. Japanese religious art often portrays the so-called Amida Raigo triad, which depicts Amida himself; Kannon, who represents the Buddha's mercy; and the Seishi Bosatsu, a bodhisattva who represents the Buddha's strength and power. The three are often shown as descending on a cloud at the moment of a Buddhist's death to lead him or her to the Western Paradise.

Popular modern Buddhist art portrays Quan yin as a barefoot woman dressed in a long flowing white robe, often pouring a stream of water from a small vase. The water represents peace and healing. She may also be shown holding a lotus, which represents purity; pearls, which symbolize illumination; or a bowl of rice seed, which represents fertility. Some statues also show her with several pairs of arms, each holding a different cosmic symbol, which symbolize the universal embrace of Buddha's compassion. She is also depicted standing on a fish, which represents her role as the special protector of fishermen and travelers.


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